Today, there are some 60 ancient melodies that survives in fragments, upon which a modern musician can improvise and imagine how they could sound in total. These techniques include alternating between guitar-like, plectrum-plucked tones in the right hand and harp-like, finger-plucked tones in the left hand; which also sometimes includes providing basic harmony below the melodic line – this technique is actually mentioned in Virgil’s epic poem, “The Aeneid – Book VI, line 645. 3. This series of online lessons was prepared by Michael Levy for Luthieros Workshop, using our 11strings version of the “Lyre of Apollo”, a chelys lyre type replica ancient instrument. Congratulations! The Lyre Handbook combines information from a variety of sources to help the musician or historian who is new to the lyre. Writing in the mid-9th century, a northern German monk named Hucbald describes the hexachord as ‘the way you tune your lyre.’ We know that the hexachord is do-re-mi-fa-so-la. 1. Not a bad prize for playing a bit … The Kinnor is built in the style of a Lyre, with a double upright neck support for the horizontal neck. We are also the makers of Harpsicle® Harps. Would any of these arrangements work on a 7 string lyre? The 6th lesson in these series, focusing on how to use your second hand while playing the lyre. But you’re in luck since you can have both. In order to play the lyre with both hands, I advise the use of a simple strap, or it becomes almost impossible to balance the lyre whilst playing it. Awesomely it sounded at the touch of the god, while he sang sweetly to its note.â – Homeric Hymn to Hermes, line 500, “The musical system of ancient Greece evolved over a period of more than 500 years from simple scales of tetrachords, or divisions of the perfect fourth, to The Perfect Immutable System, encompassing a span of fifteen pitch keys (see tonoi below) (Chalmers 1993, chapt. A lyre is crafted by a player during The Fremennik Trials quest. Check some more amazing two-hand playing techniques in 9th lesson of this series, byÂ one of the modernÂ masters of the ancient lyre playing worldwide! The fourth in a new series of ‘online lyre lessons’,Â focusing on learning how to play some basic melodies on your ancient lyre. This is a technique still practiced by the Krar lyre players of Eritrea today: 2. Musical Connections Between Ancient India, the Ancient Near East, Greece, Rome & Israel? When the instrument is in tune, almost any combination of notes will sound harmonious. I can not tell the difference between the 7th 8th (the 9th is blue and thin, that one I can see) and 10th string on the 10 sting Davidic Mid East Kinnor from Pakistan as they all look and feel the same. The Lyre Handbook: Playing Methods of the Anglo-Saxon Lyre with Directions for Construction Mary K Savelli. Keep "practicing" and you'll eventually get another conversation where he … In this manner, it becomes possible to simple strum rhythmic chords or intervals, just like a guitar. So happy to find this when there is very little about the lyre online. Can you shed some light as to how may I differentiate them? After you've played on the stage, you get to keep the lyre. It was outlawed in England by the Normans (citation needed), and all knowledge of the instrument was forgotten until the archaeological excavation at Sutton Hoo in the 1930s revealed the remnants of a lyre. Wire-strung harps and certain advanced techniques for other harps are played … It includes instructions for constructing a basic lyre and two methods of playing are taught with drills and simple songs. Best wishes :), TUNING THE LYRE TO THE JUST INTONATION OF ANTIQUITY, Nero's Lyre (Lament for Solo Lyre in the Ancient Greek Phrygian Mode), The Wisdom of Minerva (Original Composition For Lyre in the Ancient Chromatic Phrygian Mode), Hymn To Zeus (Composition In The Ancient Greek Dorian Mode), The Temple of Venus (Original Composition for Replica Lyre in the Ancient Hypolydian Mode), “Glory Of The Parthenon” (Composition For Lyre In The Ancient Greek Phrygian Mode), “Hymn To Poseidon” (Composition For Lyre In The Ancient Greek Hypodorian Mode). . Hitting the strings percussively with a wooden baton like a hammered dulcimer - a technique I inferred from illustrations of lyre players seen in both the Bas Reliefs from the Palace of Nineveh (circa 700 BCE): About 1000 years later, this same percussive lyre playing technique can be found in illustrations of lyre players depicted in the Pahos Mosiacs (2nd – 4th centuries CE) in Cyprus, which all seem to be using a small wooden baton to hit the strings of their lyres, rather than the usual plectrum to pluck the strings: 8. “The musical system of ancient Greece evolved over a period of more than 500 years from simple scales of tetrachords, or divisions of the perfect fourth, to The Perfect Immutable System, … With skill, the use of a strap (telamon) will facilitate the seamless transition between finger plucked and plectrum plucked tones, as well as the unique lyre playing of ‘string blocking’ – where notes not required to be strummed are dampened with fingers of the left hand, whilst leaving open only those strings which are required to be played. the starting note of the mode) on different degrees of the equivalent intervals a C major scale - as all the lyres I play are of different sizes with different string lengths, I treat them all as transposing instruments in C - all that matters, is that the equivalent intervals are used.For example, in my arrangement of "Contemplationis (Contemplation)" from my album "The Ancient Roman Lyre", the temperament root is E, giving the equivalent intervals as the ancient Greek Dorian Mode (E F G A B C D E).In all but one of the arrangements, the lyre strings are tuned to the equivalent intervals as middle C D E F G A B C D E. 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